History

Since its establishment in 1908, the Arts and Letters Club of Toronto has been a celebrated cornerstone of Canada's cultural landscape, fostering collaboration among artists, writers, musicians, and performers.

The club’s founder, Founded by journalist Augustus Bridle, the club aimed to create a space where individuals passionate about the arts could gather and share ideas.

Initially an all-male institution, the club welcomed women as members in 1985, reflecting broader societal changes and embracing a more inclusive approach to the arts.

The club's influence on Canadian art is hugely significant because of its association with the Group of Seven.

Early meetings of this iconic group of painters took place within the club's rooms, contributing to the development of a vital and distinct Canadian artistic identity.

Over the years, the Arts and Letters Club has been instrumental in various cultural initiatives. In the 1940s, members played a pivotal role in establishing the Canadian Arts Council, now the Canada Council for the Arts. This involvement underscored the club's commitment to supporting and shaping Canadian national arts policy.

Today, the club continues to thrive as a hub for Toronto's artistic community, hosting events, exhibitions, and performances that celebrate and promote the arts in Canada.

A cultural cornerstone
for more than a century

Timeline

Early 20th Century

  • 1908 – The Arts and Letters Club of Toronto is founded by journalist Augustus Bridle as a meeting place for artists, writers, musicians, and performers.

  • 1910s – The club moves into a permanent location on Elm Street in downtown Toronto.

  • 1920 – Members of the Group of Seven, including Lawren Harris and A.Y. Jackson, are active in the club, shaping Canadian art history.

Mid-20th Century

  • 1940s – Club members help establish the Canadian Arts Council, which later evolves into the Canada Council for the Arts.

  • 1950s-60s – The club continues to host prominent Canadian artists, writers, and musicians, serving as a creative hub.

Late 20th Century

  • 1985 – The club officially allows women to become members, embracing inclusivity in the arts community.

21st Century

  • 2007 – The club’s historic building at 14 Elm Street is designated a National Historic Site of Canada.

  • Present – The club remains a vibrant space for artistic collaboration, hosting events, exhibitions, and performances that celebrate Canadian artistic culture.